Technical Specifications

File delivery specifications for broadcast, cinema and streaming.

1

Broadcast & Cinema

HD File Specifications

Apple Quicktime ProRes 422HQ

Container: MOV

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Apple Quicktime ProRes 444

Container: MOV

Video
Codec
Apple Quicktime ProRes 4444
Chroma Subsample
4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Avid DNxHD 185x/DNxHD HQX MXF

Container: MOV/MXF

Video
Codec
Avid DNxHD/DNxHD HQX OP1a
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

For Aleph Media, please export 1080p50 material (50fps – Progressive).

Action/Safe marks: Safe Action 90% / Title Safe 80%.

For GLOBAL destinations, please use the R95-1 Title Safe Standard.

TVC duration must be cut to a whole second and not have additional frames.

Content will be converted to 16×9 Letterbox for 4×3 broadcasters.

National Audiovisual Council of Romania (EBU-R128): cna.ro

AVID Codecs: download from Avid

ProTV group recommendation: the commercial spot must not include essential information in the logo areas, otherwise it will not pass the PRO TV internal QC process mandatory for airing commercial spots (Top-left area 450×150 px, Top-right area 192×160 px).

Decision No. 573 / 25 June 2025

DECIZIE nr. 573 din 25 iunie 2025 privind Codul de reglementare a conţinutului audiovizual · Decision No. 573 of June 25, 2025 on the Code for the Regulation of Audiovisual Content.

For the purpose of correct information, any information or warning contained in an audiovisual commercial communication shall be broadcast in such a way that it is clearly perceived by the public, in particular by ensuring the following measures:

(a) it is presented statically, legibly and for a sufficient duration in the case of information broadcast in the form of videotext; character size shall be at least 17 points in SD standard definition format and 32 points in HD high definition format;

(b) it is played back at normal reading speed.

Cinema 2.0 File Specifications

Apple Quicktime ProRes 422HQ
Apple Quicktime ProRes 4444
Avid DNxHD 185x/DNxHD HQX MXF
Avid DNxHR 444

Container: MOV/MXF

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2 / 4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080 / 1998×1080 / 2048×1080 / 4096×2160
Frame Rate
24 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio
Ch1&Ch2 Stereo
Loudness Standard
SAWA 82 dB Leq(m)
Integrated
82 dB Leq(m)
Maximum True Peak Level
– 2 dBTP
Cinema 5.1 File Specifications

Apple Quicktime ProRes 422HQ
Apple Quicktime ProRes 4444
Avid DNxHD 185x/DNxHD HQX MXF
Avid DNxHR 444

Container: MOV/MXF

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2 / 4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080 / 1998×1080 / 2048×1080 / 4096×2160
Frame Rate
24 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio
Each channel as a separate WAV file: L R C LFE Ls Rs
Loudness Standard
SAWA 82 dB Leq(m)
Integrated
82 dB Leq(m)
Maximum True Peak Level
– 2 dBTP

If 5.1 audio channels are not available but you want to deliver as surround, Adstream Romania can mix the audio if the following wav files, in sync with the image, are provided: Dialogue / SFX / Music. Please contact us for a quotation.

TVC duration must be cut to a whole second and not have additional frames.

Please ensure that the graphic elements (e.g. Logo) and the texts/disclaimers are placed inside the Title Safe area.

AVID Codecs: download from Avid

2

Teleshopping

ProTV Teleshopping

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Additional information

Please select the correct ORDER TYPE – Teleshopping.

Please create individual orders (just one file per order per TV station).

The ORDER must contain the word “Teleshopping” in its naming structure, e.g. Video_File_3min_Teleshopping.

Action/Safe marks: Safe Action 90% / Title Safe 80%.

TVC duration must be cut to a whole second and not have additional frames.

PrimaTV Teleshopping

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Stereo Fullmix
Maximum Peak Level
-10 dbfs

Additional information

Please select the correct ORDER TYPE – Teleshopping.

The ORDER must contain the word “Teleshopping” in its naming structure, e.g. Video_File_3min_Teleshopping.

Action/Safe marks: Safe Action 90% / Title Safe 80%.

TVC duration must be cut to a whole second and not have additional frames.

3

Split Screen

Split-screen advertising and graphical insertions have dedicated technical specifications, organised by broadcaster — file formats, dimensions, “L”-shape rules and more.

View Split Screen Specifications
4

Streaming

Max

AdLite Video

Apple Quicktime ProRes 422HQ

Container: MOV

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Loudness Standard
EBU R128
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Apple Quicktime ProRes 444

Container: MOV

Video
Codec
Apple Quicktime ProRes 4444
Chroma Subsample
4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Loudness Standard
EBU R128
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Avid DNxHD 185x/DNxHD HQX MXF

Container: MOV/MXF

Video
Codec
Avid DNxHD/DNxHD HQX OP1a
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Loudness Standard
EBU R128
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Loudness Standard
EBU R128
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Action/Safe marks: Safe Action 90% / Title Safe 80%.

TVC duration must be cut to a whole second and not have additional frames.

Deadlines

The assets should be delivered 3 working days before TX, according to the deadlines below:

Monday before 12:00on air Thursday
Tuesday before 12:00on air Friday
Wednesday before 12:00on air Saturday, Sunday
Thursday before 12:00on air Monday, Tuesday
Friday before 12:00on air Wednesday

Any changes to a campaign that is already running can be made within 5 working days.

We cannot schedule an advertising order without the ad already being delivered to the WBD team, respecting the delivery deadlines above.

Max

AdLite PauseAD

One PNG file with the following specifications

Key Visual

Isolated object with a transparent background.

Headline Copy

60-character limit, including spaces. Over no more than 2 lines.

Brand Logo

Isolated with transparent background. Recommended all-white. Final export: 1920×1080 @ 150dpi transparent PNG file.

Background Color

HEX code preferred. Must provide a 3:1 contrast ratio with white text for ADA compliance. Hard-edge background.

Background color — select from our options or provide a HEX code

Grape #FF05AF
Purple #6700FF
Royal #002AFF
Denim #143154
Ocean #00B7FF
Basil #2FFF00
Olive #BBFF00
Lemon #FFF900
Mustard #FFD300
Caramel #FF7A00
Apricot #FF1F00
Burgundy #E80000
Pause-Ad example
Example
Max

AdLive Tracking

TAGS · Site Served Creatives

One XLSX file with the following specifications.

We can accept 3rd party tracking pixels for click and impression — IMG pixel only.

Optional quartile tracking is supported:

First Quartile Mid Quartile Third Quartile Completion

Deadlines

The assets should be delivered 2 working days before TX.

VOYO

VOYO

Video

Apple Quicktime ProRes 422HQ

Container: MOV

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Apple Quicktime ProRes 444

Container: MOV

Video
Codec
Apple Quicktime ProRes 4444
Chroma Subsample
4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Avid DNxHD 185x/DNxHD HQX MXF

Container: MOV/MXF

Video
Codec
Avid DNxHD/DNxHD HQX OP1a
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP
Voyo Sport

Voyo Sport

Video

Apple Quicktime ProRes 422HQ

Container: MOV

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Apple Quicktime ProRes 444

Container: MOV

Video
Codec
Apple Quicktime ProRes 4444
Chroma Subsample
4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Avid DNxHD 185x/DNxHD HQX MXF

Container: MOV/MXF

Video
Codec
Avid DNxHD/DNxHD HQX OP1a
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP
Antena Play

Antena Play

Video

Apple Quicktime ProRes 422HQ

Container: MOV

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Apple Quicktime ProRes 444

Container: MOV

Video
Codec
Apple Quicktime ProRes 4444
Chroma Subsample
4:4:4
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Avid DNxHD 185x/DNxHD HQX MXF

Container: MOV/MXF

Video
Codec
Avid DNxHD/DNxHD HQX OP1a
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Top Field First / Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 2Ch
Ch1&Ch2 Stereo Fullmix
Audio 2Ch (optional)
Ch3&Ch4 Stereo Music&SFX
Loudness Standard
EBU R128 (Ch1&Ch2 and Ch3&Ch4)
Integrated
-23 LUFS ± 0.5 LU
Maximum Short Term
-20 LUFS
Maximum Momentary
-15 LUFS
Maximum True Peak Level
– 1dBTP

Action/Safe marks: Safe Action 90% / Title Safe 80%.

TVC duration must be cut to a whole second and not have additional frames.

SkyShowtime

Sky Showtime / Sky Paramount

Video

Apple Quicktime ProRes 422HQ

Container: MOV

Video
Codec
Apple Quicktime ProRes 422 HQ
Chroma Subsample
4:2:2
Interlacing
Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 1Ch
Stereo Fullmix
Loudness Standard
ATSC A/85
Integrated
-24 LKFS ± 2 LU
Maximum True Peak Level
– 6dBTP

Apple Quicktime ProRes 444

Container: MOV

Video
Codec
Apple Quicktime ProRes 4444
Chroma Subsample
4:4:4
Interlacing
Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 1Ch
Stereo Fullmix
Loudness Standard
ATSC A/85
Integrated
-24 LKFS ± 2 LU
Maximum True Peak Level
– 6dBTP

Avid DNxHD 185x/DNxHD HQX MXF

Container: MOV/MXF

Video
Codec
Avid DNxHD/DNxHD HQX OP1a
Chroma Subsample
4:2:2
Interlacing
Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 1Ch
Stereo Fullmix
Loudness Standard
ATSC A/85
Integrated
-24 LKFS ± 2 LU
Maximum True Peak Level
– 6dBTP

MXF Wrapped XDCAM HD

Container: MXF

Video
Codec
XDCAM 422
Profile
MPEG-2 4:2:2@HL
Bitrate
50Mb/s CBR
Chroma Subsample
4:2:2
Interlacing
Progressive
Frame Size
1920×1080
Frame Rate
25 FPS
Aspect Ratio
16:9
Audio
Codec
PCM (Big/Little Endian)
Sample Rate
48kHz
Sample Size
24bit
Audio 1Ch
Stereo Fullmix
Loudness Standard
ATSC A/85
Integrated
-24 LKFS ± 2 LU
Maximum True Peak Level
– 6dBTP

Remove any Telecine or 3:2 pull-down added for broadcast.

Please make content progressive using adaptive de-interlace with no frame blending.

Action/Safe marks: Safe Action 90% / Title Safe 80%.

Paramount Global accepts a variety of length creatives; standards include :15, :30, :60*, :90*. Any odd length creative, please contact us.

*Anything longer than a :30 can only run in midroll inventory.

Timeline

3–5 business days traffic and testing lead-time from the receipt of the final asset.

Version 1.1 · Last updated