Technical Specifications
File delivery specifications for broadcast, cinema and streaming.
1
Broadcast & Cinema
Apple Quicktime ProRes 422HQ
Container: MOV
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Apple Quicktime ProRes 444
Container: MOV
- Codec
- Apple Quicktime ProRes 4444
- Chroma Subsample
- 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Avid DNxHD 185x/DNxHD HQX MXF
Container: MOV/MXF
- Codec
- Avid DNxHD/DNxHD HQX OP1a
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
For Aleph Media, please export 1080p50 material (50fps – Progressive).
Action/Safe marks: Safe Action 90% / Title Safe 80%.
For GLOBAL destinations, please use the R95-1 Title Safe Standard.
TVC duration must be cut to a whole second and not have additional frames.
Content will be converted to 16×9 Letterbox for 4×3 broadcasters.
National Audiovisual Council of Romania (EBU-R128): cna.ro
AVID Codecs: download from Avid
ProTV group recommendation: the commercial spot must not include essential information in the logo areas, otherwise it will not pass the PRO TV internal QC process mandatory for airing commercial spots (Top-left area 450×150 px, Top-right area 192×160 px).
Decision No. 573 / 25 June 2025
DECIZIE nr. 573 din 25 iunie 2025 privind Codul de reglementare a conţinutului audiovizual · Decision No. 573 of June 25, 2025 on the Code for the Regulation of Audiovisual Content.
For the purpose of correct information, any information or warning contained in an audiovisual commercial communication shall be broadcast in such a way that it is clearly perceived by the public, in particular by ensuring the following measures:
(a) it is presented statically, legibly and for a sufficient duration in the case of information broadcast in the form of videotext; character size shall be at least 17 points in SD standard definition format and 32 points in HD high definition format;
(b) it is played back at normal reading speed.
Apple Quicktime ProRes 422HQ
Apple Quicktime ProRes 4444
Avid DNxHD 185x/DNxHD HQX MXF
Avid DNxHR 444
Container: MOV/MXF
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2 / 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080 / 1998×1080 / 2048×1080 / 4096×2160
- Frame Rate
- 24 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio
- Ch1&Ch2 Stereo
- Loudness Standard
- SAWA 82 dB Leq(m)
- Integrated
- 82 dB Leq(m)
- Maximum True Peak Level
- – 2 dBTP
Apple Quicktime ProRes 422HQ
Apple Quicktime ProRes 4444
Avid DNxHD 185x/DNxHD HQX MXF
Avid DNxHR 444
Container: MOV/MXF
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2 / 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080 / 1998×1080 / 2048×1080 / 4096×2160
- Frame Rate
- 24 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio
- Each channel as a separate WAV file: L R C LFE Ls Rs
- Loudness Standard
- SAWA 82 dB Leq(m)
- Integrated
- 82 dB Leq(m)
- Maximum True Peak Level
- – 2 dBTP
If 5.1 audio channels are not available but you want to deliver as surround, Adstream Romania can mix the audio if the following wav files, in sync with the image, are provided: Dialogue / SFX / Music. Please contact us for a quotation.
TVC duration must be cut to a whole second and not have additional frames.
Please ensure that the graphic elements (e.g. Logo) and the texts/disclaimers are placed inside the Title Safe area.
AVID Codecs: download from Avid
2
Teleshopping
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Additional information
Please select the correct ORDER TYPE – Teleshopping.
Please create individual orders (just one file per order per TV station).
The ORDER must contain the word “Teleshopping” in its naming structure, e.g. Video_File_3min_Teleshopping.
Action/Safe marks: Safe Action 90% / Title Safe 80%.
TVC duration must be cut to a whole second and not have additional frames.
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Stereo Fullmix
- Maximum Peak Level
- -10 dbfs
Additional information
Please select the correct ORDER TYPE – Teleshopping.
The ORDER must contain the word “Teleshopping” in its naming structure, e.g. Video_File_3min_Teleshopping.
Action/Safe marks: Safe Action 90% / Title Safe 80%.
TVC duration must be cut to a whole second and not have additional frames.
3
Split Screen
Split-screen advertising and graphical insertions have dedicated technical specifications, organised by broadcaster — file formats, dimensions, “L”-shape rules and more.
View Split Screen Specifications
4
Streaming
AdLite Video
Apple Quicktime ProRes 422HQ
Container: MOV
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Loudness Standard
- EBU R128
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Apple Quicktime ProRes 444
Container: MOV
- Codec
- Apple Quicktime ProRes 4444
- Chroma Subsample
- 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Loudness Standard
- EBU R128
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Avid DNxHD 185x/DNxHD HQX MXF
Container: MOV/MXF
- Codec
- Avid DNxHD/DNxHD HQX OP1a
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Loudness Standard
- EBU R128
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Loudness Standard
- EBU R128
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Action/Safe marks: Safe Action 90% / Title Safe 80%.
TVC duration must be cut to a whole second and not have additional frames.
Deadlines
The assets should be delivered 3 working days before TX, according to the deadlines below:
Any changes to a campaign that is already running can be made within 5 working days.
We cannot schedule an advertising order without the ad already being delivered to the WBD team, respecting the delivery deadlines above.
AdLite PauseAD
One PNG file with the following specifications
Key Visual
Isolated object with a transparent background.
Headline Copy
60-character limit, including spaces. Over no more than 2 lines.
Brand Logo
Isolated with transparent background. Recommended all-white. Final export: 1920×1080 @ 150dpi transparent PNG file.
Background Color
HEX code preferred. Must provide a 3:1 contrast ratio with white text for ADA compliance. Hard-edge background.
Background color — select from our options or provide a HEX code
AdLive Tracking
TAGS · Site Served CreativesOne XLSX file with the following specifications.
We can accept 3rd party tracking pixels for click and impression — IMG pixel only.
Optional quartile tracking is supported:
Deadlines
The assets should be delivered 2 working days before TX.
VOYO
VideoApple Quicktime ProRes 422HQ
Container: MOV
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Apple Quicktime ProRes 444
Container: MOV
- Codec
- Apple Quicktime ProRes 4444
- Chroma Subsample
- 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Avid DNxHD 185x/DNxHD HQX MXF
Container: MOV/MXF
- Codec
- Avid DNxHD/DNxHD HQX OP1a
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Voyo Sport
VideoApple Quicktime ProRes 422HQ
Container: MOV
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Apple Quicktime ProRes 444
Container: MOV
- Codec
- Apple Quicktime ProRes 4444
- Chroma Subsample
- 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Avid DNxHD 185x/DNxHD HQX MXF
Container: MOV/MXF
- Codec
- Avid DNxHD/DNxHD HQX OP1a
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Antena Play
VideoApple Quicktime ProRes 422HQ
Container: MOV
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Apple Quicktime ProRes 444
Container: MOV
- Codec
- Apple Quicktime ProRes 4444
- Chroma Subsample
- 4:4:4
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Avid DNxHD 185x/DNxHD HQX MXF
Container: MOV/MXF
- Codec
- Avid DNxHD/DNxHD HQX OP1a
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Top Field First / Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 2Ch
- Ch1&Ch2 Stereo Fullmix
- Audio 2Ch (optional)
- Ch3&Ch4 Stereo Music&SFX
- Loudness Standard
- EBU R128 (Ch1&Ch2 and Ch3&Ch4)
- Integrated
- -23 LUFS ± 0.5 LU
- Maximum Short Term
- -20 LUFS
- Maximum Momentary
- -15 LUFS
- Maximum True Peak Level
- – 1dBTP
Action/Safe marks: Safe Action 90% / Title Safe 80%.
TVC duration must be cut to a whole second and not have additional frames.
Sky Showtime / Sky Paramount
VideoApple Quicktime ProRes 422HQ
Container: MOV
- Codec
- Apple Quicktime ProRes 422 HQ
- Chroma Subsample
- 4:2:2
- Interlacing
- Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 1Ch
- Stereo Fullmix
- Loudness Standard
- ATSC A/85
- Integrated
- -24 LKFS ± 2 LU
- Maximum True Peak Level
- – 6dBTP
Apple Quicktime ProRes 444
Container: MOV
- Codec
- Apple Quicktime ProRes 4444
- Chroma Subsample
- 4:4:4
- Interlacing
- Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 1Ch
- Stereo Fullmix
- Loudness Standard
- ATSC A/85
- Integrated
- -24 LKFS ± 2 LU
- Maximum True Peak Level
- – 6dBTP
Avid DNxHD 185x/DNxHD HQX MXF
Container: MOV/MXF
- Codec
- Avid DNxHD/DNxHD HQX OP1a
- Chroma Subsample
- 4:2:2
- Interlacing
- Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 1Ch
- Stereo Fullmix
- Loudness Standard
- ATSC A/85
- Integrated
- -24 LKFS ± 2 LU
- Maximum True Peak Level
- – 6dBTP
MXF Wrapped XDCAM HD
Container: MXF
- Codec
- XDCAM 422
- Profile
- MPEG-2 4:2:2@HL
- Bitrate
- 50Mb/s CBR
- Chroma Subsample
- 4:2:2
- Interlacing
- Progressive
- Frame Size
- 1920×1080
- Frame Rate
- 25 FPS
- Aspect Ratio
- 16:9
- Codec
- PCM (Big/Little Endian)
- Sample Rate
- 48kHz
- Sample Size
- 24bit
- Audio 1Ch
- Stereo Fullmix
- Loudness Standard
- ATSC A/85
- Integrated
- -24 LKFS ± 2 LU
- Maximum True Peak Level
- – 6dBTP
Remove any Telecine or 3:2 pull-down added for broadcast.
Please make content progressive using adaptive de-interlace with no frame blending.
Action/Safe marks: Safe Action 90% / Title Safe 80%.
Paramount Global accepts a variety of length creatives; standards include :15, :30, :60*, :90*. Any odd length creative, please contact us.
*Anything longer than a :30 can only run in midroll inventory.
Timeline
3–5 business days traffic and testing lead-time from the receipt of the final asset.
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